Saturday 30 September saw a unique staging of Thomas Nashe’s only extant whole-authored play, Summer’s Last Will and Testament, in the Great Hall of the Bishop’s Palace in Croydon, where it was first performed in the early autumn of 1592. The performance was a joint venture between the Edward’s Boys company, from the King … Continue reading Review: Summer’s Last Will and Testament by Thomas Nashe
So High A Blood explores in detail the life of Margaret, Countess of Lennox, a Tudor princess without whom, perhaps, there would have been no Stewart succession and no subsequent union between England and Scotland. Born in 1515, Margaret was the daughter of Margaret Tudor, the eldest daughter of Henry VII, by her second husband … Continue reading Review: So High A Blood by Morgan Ring
The leader of a small military force – perhaps 500 strong – is determined to subdue a province, and to do so quickly. Terror is his explicit policy. Every inroad he makes into enemy territory is followed by indiscriminate slaughter and destruction. Every man, woman and child is killed. Houses, churches, crops – everything is … Continue reading Heart of darkness: from the time-honoured barbarity of the Tudors in Ireland to Islamic State
Last week saw the launch of Andy Kesson’s brilliant new book John Lyly and Early Modern Authorship, which makes an eloquent and powerful case for both the quality of Lyly’s work and its importance to early modern literature as we understand it. It is full of fascinating insights into literary and print culture and commerce … Continue reading John Lyly and Early Modern Authorship: an interview with Andy Kesson
Further to my earlier review of the National Portrait Gallery exhibition, Elizabeth I and her people, I thought I'd just post two contrasting portraits of Ralegh. The first, on the left, is a Hilliard miniature from 1584. The second is a close-up photo I took of the 1588 portrait currently on display at the NPG. … Continue reading Sir Walter Ralegh: the price of fame?
Those whose interest lies outside the Tudor era could be forgiven for exasperation at the extent to which the long sixteenth century still dominates our nation’s cultural life. But the new exhibition at the National Portrait Gallery – Elizabeth I and Her People, which runs until January 5 2014 – is nevertheless good enough to … Continue reading Review: Elizabeth I and her people – National Portrait Gallery exhibition
Last year I reviewed Nancy Bilyeau's excellent début Tudor thriller, The Crown which is set during the dissolution of the monasteries. Its sequel, The Chalice, is being published in the UK by Orion on February 28; and in North America by Simon & Schuster on March 5. Nancy has kindly agreed to take part in … Continue reading The borders of historical fiction and non-fiction: a conversation with Nancy Bilyeau